(This is a reprint of a post I originally wrote in December 2008. Happy Valentine's Day--at least the last 52 minutes of it!)
My friend, Amy, gave me a
wonderful idea for a post--list my fictional crushes. (So my husband can blame
her for what follows--I'm just doing what she suggested.)
Where do I begin . . .With
Frank and Joe Hardy solving crimes? Gilbert Blyth holding fast to his love for
Anne? Austen's Mr. Darcy or Bronte's Mr. Rochester or du Maurier's Maxim de
Winter?
In ascending order, here are
my Top Five Entirely Fictional Crushes, loved from words alone and the stories
they live in.
5. This was the hardest spot
to fill, but after long and careful thought I had to go with Faramir, Captain
of Gondor (THE LORD OF THE RINGS/J.R.R. Tolkien)
In the film versions of Lord
of the Rings, Aragorn is far and away my man, but before the films were the
books and in the books, first read when I was 17, Faramir has my heart. What to
make of a man who can resist the One Ring? Who fights for a father who torments
him? Who falls in love with Eowyn . . . (I'll get to her in another
post--Fictional Women I Wish I Could Be). So Faramir it is.
4. Francis Crawford of
Lymond, once Master of Culter, later Comte de Sevigny (THE LYMOND
CHRONICLES/Dorothy Dunnett)
I think I'd love him for his
titles alone--there aren't a lot of great titles in today's world. The first
time I read the six books in the Lymond Chronicles, it took me to the end of
the third book to fall for Francis Crawford. He's the epitome of a riddle
wrapped in an enigma, something the author perpetuates by only very rarely
using his point of view. He's a Renaissance man in the Tudor era, who can fight
and love and deceive in multiple languages and across continents. He's
charming, clever, athletic, cruel, loyal, dangerous, and vulnerable. And he
recognizes a good woman when he meets one--even though Philippa is only ten
years old the first time she crosses his path.
3. Peter Wimsey (The Wimsey Novels/Dorothy L. Sayers)
3. Peter Wimsey (The Wimsey Novels/Dorothy L. Sayers)
Younger son of a Duke, army
captain in WWI who "had a bad war", collector of rare books and
solver of mysteries in 1920s and 30s England. He babbles about anything and
everything, sings like a professional, and has beautiful hands. He also has the
good taste to fall head over heels for a mystery novelist the first time he sees
her, as she's standing trial for her life. It's Harriet Vane who makes Peter
human and crushable--I re-read the Peter/Harriet stories more often than the
Peter stand-alones, just to imagine what it would be like to have a rich,
titled man in love with me.
2. John Tregarth (The Vicky
Bliss Novels/Elizabeth Peters)
I fell in love with John the
first time he ran away from a gun in THE STREET OF THE FIVE MOONS. Art thief
and avowed coward, John is bound to break into bad jokes at the most
inopportune moments. He also has a bad habit of leaving Vicky to pay the bills
and, although she never knows when he'll show up, she does know that he'll
bring trouble with him. But she can't resist his insane sense of humor and his
esoteric knowledge of English poetry--until he shows up with a pretty little
wife and in the company of dangerous men in NIGHT TRAIN TO MEMPHIS. I defy
anyone (okay, any woman) to read that book and not fall for John.
1. Ramses Emerson (The
Amelia Peabody Novels/Elizabeth Peters--what can I say? Clearly Elizabeth
Peters and I have the same ideas of what makes an irresistible man)
Although I generally love
seeing books made into films, just to see the beautiful settings brought to
life, I hope I never see Ramses Emerson caught in flesh. That way, I can
continue to worship him through the pages of books alone. Ramses is the son of
Egyptologist parents in the early 20th century and is himself a brilliant
scholar and linguist. But it's his actions that make him crushable--from
disguising himself as an Egyptian nationalist to working undercover as a spy
during WWI to scaling the sheer wall of a cliff-side dwelling to get to the
woman he loves . . . Sigh. Ramses Rules. End of story.
So what can you learn about
my psyche from this list?
First, that I'm an
Anglophile. Barring Faramir, each of this men is British (and I think a point
can be made for Faramir--at least his author is British.) True, Francis
Crawford is loyal Scots through and through, but British is British, whether he
wants to admit that or not.
Second, that I'm a sucker
for other times and other worlds. Except for John Tregarth, none of these books
or men are contemporary. What can I say? I like swords and battles and
chivalry.
Third, that each of these
men has something in common besides the British accent: principles. As a
character says of Peter Wimsey in GAUDY NIGHT: "That is a man able to
subdue himself to his own ends. I feel sorry for anyone who comes up against
his principles, whatever they may be."
The principles of an art
thief may not seem to have anything in common with those of a Tudor soldier or an
Egyptologist. But each of these men, in their own stories and their own
circumstances and their own ways, comes up against a choice to break those
principles. And they don't.
Peter Wimsey lays out the
facts of an Oxford poison pen even when he believes it will destroy any chance
he has with Harriet. John walks away from Vicky, allowing her and even pushing
her to think the worst of him, in order to save her life. Francis Crawford
sacrifices every single personal love to protect his country and his family's
honor. Faramir sends Frodo away with the One Ring even though he knows his
father will never forgive him for not taking it.
And Ramses? He will do
anything to ensure Nefret's happiness, even when it appears to take her away
from him. And he will endure any pain, mental or physical, to save others. And
he will drive himself to the point of illness in order to do his duty to his
family and country.
And the women they love?
Eowyn, Philippa, Harriet, Vicky, and Nefret are independent and stubborn. They
go their own way and they make their own choices, some of them stupid.
And the men wouldn't have it
any other way.
In GAUDY NIGHT (it's the one
I've most recently re-read), Harriet says that she almost wishes Peter would
interfere instead of leaving her to make up her own mind about their
relationship. And someone tells her: "He will never do that. That's his
weakness. He'll never make up your mind for you. You'll have to make your own
decisions. You needn't be afraid of losing your independence; he will always
force it back on you."
Here's where I make up to my
husband for this post: he doesn't have a sword, or a long list of hereditary
titles, or a desert cliff to climb.
But he has principles. He
has never broken them.
And he has always, since we
were 17 years old, forced my independence back on me.
That's not a crush.
That's love.
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